Walter Benjamin predicted that in 1928 the boundaries of photography still can not be predicted. Currently, the massive use of geo-referenced images and the popularization of Google Earth imply a qualitative and sociological jump around the world that accelerates the emergence of geosemantics. This project focuses on the juxtaposition of two different readings of the landscape; one framed in impressionist painting, another in the construction of the image through human intervention in the process of digital image printing in the context of global geolocation.